Family Blood (2018, dir. Sonny Mallhi)

A mother with addiction issues is turned into a vampire. Low-key vampirism-as-addiction drama which looks great, but too often mistakes sullenness for seriousness, and which doesn’t invest its characters with much depth or motivation.

Eat Locals (2017, dir. Jason Flemyng)

A vampire gathering is interrupted by an army/cleric hit squad. Slightly ramshackle low budget comedy-horror with a clear debt to Dog Soldiers, this just about gets by on its game cast of familiar faces, plus plenty of ideas, not all of which get a fair shake.

Stake Land II (AKA The Stakelander) (2016, dir. Dan Berk & Robert Olsen)

After his family is killed, the adult Martin seeks out Mister. Autumnal but impressive sequel to Stake Land, this second part is better on atmosphere than on its lean revenge plot, but is watchable nevertheless.

Stake Land (2010, dir. Jim Mickle)

A teen and a grizzled hunter journey across a post-vampire-apocalypse America. An episodic but imaginative spin on the genre, wth plenty of ideas, some clever spins on old tropes, and a fun central performance.

Bloodsucking Bosses (AKA Bloodsucking Bastards) (2016, dir. Brian James O’Connell)

A mail-order company is taken over by a vampire corporation. That rarity – a genuinely funny horror-comedy – which makes the most of its modest budget with sprightly playing, decent gore, and a very niche cameo appearance joke.

Blade (1998, dir. Stephen Norrington)

A vampire/human hybrid and his mentor/armourer battle an oncoming vampire apocalypse. Pacy and slick, this is a superior early Marvel adaptation with lots to recommend it, not least committed playing from the principals, and some scenes of genuine imagination.