Fear Street: 1666 [AKA Fear Street Part Three: 1666] (2021, dir. Leigh Janiak)

The final part of the trilogy: events and characters between 1994 and 1666 are linked. A messy finale saddled with an offstage villain, variable accents, a weird lack of interest in its potentially-good ideas, and an hour of padding. Not great at all: precisely one interesting visual moment.

Here’s the trailer.

The Hobbit: The Desolation of Smaug (2013, dir. Peter Jackson)

Bilbo and Thorin’s company reach Mount Erebor via Laketown. The middle instalment of the prequel trilogy is all the better for not having to worry about set-up, though it lacks a story of its own. Still, if well-heeled fantasy spectacle is your thing, then there’s plenty to enjoy here.

Here’s the trailer.

Matrix Revolutions [AKA The Matrix: Revolutions] (2003, dir. The Wachowskis)

Neo’s battle against Smith and The Machines comes to a head. Third and final part of the Matrix trilogy (a part four is on its way). For series completists only by this stage, though the finale delivers in terms of slightly-humourless comic-book spectacle and epic battles aplenty.

Maze Runner: The Death Cure (2018, dir. Wes Ball)

Thomas and friends mount a rescue mission. Third and last of the OK YA dystopian franchise. It doesn’t make much plot sense, but the action is capably handled, production design is good, and there’s a refreshing physicality to proceedings. For series fans only tho.