Batman creates – and battles – the Joker. Mixing expressionism, noir, Hammer horror and pop art, the 1989 Batman is well-tailored from patches and the need to service a guest villain performance, even if it doesn’t really have a story. Still fun, tho, with a lovely mix of technologies working together. Best of all, it feels like a comic book. Sequels followed.
A travelling vanload of carnival workers find themselves kidnapped and forced to play a sadistic Halloween game. Zombie’s love of sideshow freaks and 70s road movies pays dividends here, in a Saw meets Funhouse kinda way. Doesn’t quite gel, but some striking moments and imagery, plus in Richard Brake, the movies find their next Joker.