Stowaway (2021, dir. Joe Penna)

An injured technician is found aboard a Mars mission: a dilemma ensues. Contrived hard SF drama that struggles to maximize the possibilities of either its premise or the ensuing threat. Not really a stowaway either. Good-looking and well acted, though. Nevertheless, Marooned did this better back in 1969.

Here’s the trailer.

Knives Out (2019, dir. Rian Johnson)

A famed mystery writer is killed; an unconventional detective arrives. Sharp, witty and well-constructed comedy-thriller, a love letter to Agatha Christie and to the likes of Deathtrap and Sleuth. Bags of fun, with a game cast of character actors all enjoying themselves. Recommended.

Hereditary (2018, dir. Ari Aster)

A family impacted by grief begins to experience mysterious occurrences. Splendid slow-burn horror about loss and faith. Lots to enjoy, with a creepy atmosphere well-sustained, and some fine variations on old genre ideas.

How about a different opinion? Here’s Xussia’s.

The Way, Way Back (2013, dir. Nat Faxon & Jim Rash)

A gawky 14-year-old gets a summer job at a water park to escape his dysfunctional family. A charming offbeat comedy-drama very much of two parts: a crumbling new family unit, and the escapism of the park. Highly recommended.

XXX: Return of Xander Cage (2016, dir. DJ Caruso)

Cage is re-recruited to find a satellite-crashing McGuffin. Self-aware but still dumb-as-rocks threequel, tooled after the latter Fast and Furious flicks in its teenage lad-friendly collision of heists, chases, and bikinis. Toni Collette camps it up in support.

Want a different perspective from another of the 255Review crew? Here’s Xussia’sĀ opinion.

Unlocked (2017, dir. Michael Apted)

A CIA interrogator uncovers a terrorist conspiracy. Okay London-set thriller with a decent cast and some excellent location work; better at the nuts-and-bolts of tradecraft early in the flick than the last act move into big-stakes tomfoolery.

Imperium (2016, dir. Daniel Ragussis)

A nerdy FBI agent goes undercover to thwart a fascist domestic terrorism plot. Standard will-he-get-found-out scenes and some clumsy storytelling mar this otherwise proficient thriller, which takes some time to explore a spectrum of neo-Nazi subcultures.