Mission: Impossible: Rogue Nation (2015, dir. Christopher McQuarrie)

Ethan Hunt and the disavowed MI team track down a terrorist organisation named The Syndicate. Slick, expansive and fast. The series high-point to date, with a breakout performance from newcomer Rebecca Ferguson.

Want another review? Here’s Lemonsquirtle’s thoughts.

Mission: Impossible: Ghost Protocol (2011, dir. Brad Bird)

Ethan Hunt and his IMF team hunt down an extremist with a nuclear capability. More of a series of (admittedly fun and exciting) set-pieces than a movie as such, this fourth instalment is exhilarating while its on, but doesn’t leave a lasting impression.

Want another perspective? Here’s Lemonsquirtle’s POV.

Mission: Impossible III [AKA M: i: III] (2006, dir. J. J. Abrams)

Ethan Hunt is called out of retirement to track down an arms dealer. Slick third instalment that delivers in terms of action, lead actor stunts, and popcorn flick shenanigans, establishing a template for later series entries.

Another review needed? Here’s Lemonsquirtle’s POV.

Mission Impossible: Fallout (2018, dir. Christopher McQuarrie)

Ethan Hunt and his team battle a nuclear conspiracy involving followers of Solomon Lane. Splendid series continuation from Part 5 (MI: Rogue Nation), with hugely-impressive stuntwork and the usual emphasis on twists and double-crosses. Recommended.

Jack Reacher (2012, dir. Christopher McQuarrie)

Reacher investigates a mass-murder committed by a former sniper. First and better of the Tom Cruise adaptations of the Lee Child books, with a focus on old-school lo-fi tough guy thrills, and on a reasonable mystery backed up with excellent character acting.

American Made (2017, dir. Doug Liman)

The story of Barry Seal, who smuggled for the CIA and the cartels in the 80s. Swaggering rise and fall biopic in the GoodFellas mould; hugely impressive and entertaining, while offering a reminder of another of the US’s recent murky pasts.

Another perspective? Here’s Lemonsquirtle’s take.

Jack Reacher: Never Go Back (2016, dir. Edward Zwick)

Reacher uncovers a military conspiracy. Second of the toned-down Lee Child adaptations, this again isn’t the character of the novels, but is nevertheless a largely-effective if somewhat low-key star vehicle.