The Adam Project (2022, dir. Shawn Levy)

A bullied 12-year-old is visited by his older self, now a time fugitive. Cheerful if overstuffed SF comedy, brazen in its lifts from everything 80s from ET to Firefox via Return of the Jedi. A decent cast play to their strengths and the movie gets by on its own through having its heart more or less on its sleeve throughout.

Here’s the trailer.

Trancers II (1991, dir. Charles Band)

Jack Deth battles a nemesis in present-day LA, while dealing with future complications. Tatty straight-to-video sequel with only glimmers of the vim of the original. A shame, as there’s some good ideas, plus a decent cult movie cast, though they don’t all have much to do. Further episodes followed.

Here’s the trailer

Trancers (1984, dir. Charles Band)

A vengeful 23rd-century ex-cop is sent to 1984 LA to capture the man who killed his wife. Zesty low-budget The Terminator variant with a sense of humour and of being playful with its budget limitations. Loads of fun, a few satiric jabs, and great lead performances. Five sequels followed.

Here’s the trailer.

Boss Level (2021, dir. Joe Carnahan)

An ex-soldier caught in a time loop fights to save his wife and child. Slightly wobbly Groundhog Day / Source Code variant, heavy on slapstick kills. Tonally all over the shop, which is a shame. Frank Grillo is as good value as ever, though, and there’s a strong supporting cast, plus some decent action choreography late on.

Here’s Lemonsquirtle’s take.

And here’s the trailer.

Freejack (1992, dir. Geoff Murphy)

A race driver is time-jumped to near-future 2009, where his body has been requisitioned for transplant purposes. Ramshackle chase thriller with SF trappings. Some fun in the casting and in odd moments, but this is nevertheless tatty and derivative: a troubled production, as this was, can leave scar tissue.

Here’s the trailer.

The Tomorrow War (2021, dir. Chris McKay)

A science teacher is recruited to fight a war that won’t happen for thirty years. Overlong, derivative (everything from Saving Private Ryan to The Thing gets pillaged) and at-times clunky SF/horror/war flick. The action is terrific throughout (and worth watching once for that alone), but the movie doesn’t know when to stop.

Here’s the trailer.

Palm Springs (2020, dir. Max Barbakow)

A man is resigned to being stuck in a temporal loop at a wedding. Solid SF/fantasy comedy with sharp edges. Smart playing, a fine soundtrack, and enough diversion from the Groundhog Day template all helps, as does a pleasingly amoral streak. JK Simmons and Dale Dickey are along for the ride.

Here’s the trailer.

Curvature (2017, dir. Diego Hallivis)

A bereaved woman investigates the circumstances surrounding her partner’s suicide, which may be linked to his temporal physics work. Initially-intriguing SF thriller which refocuses midway into something much less compelling. Kudos for not always doing the obvious, but a frustrating watch nevertheless.

Here’s the trailer.

Bill & Ted Face The Music (2020, dir. Dean Parisot)

The now middle-aged Wyld Stallyns have to travel the multiverse to save reality, their daughters, and their marriages. Unnecessary but still welcome threequel, with enough of a spin on the same plot as twice before to pass muster. Everyone’s having fun, and Winter is especially good.

Here’s the trailer.

Bill & Ted’s Excellent Adventure (1989, dir. Stephen Herek)

A slacker high-school garage band duo are lent a time machine so the future can be saved by their rock music. Affable time travel comedy with likeable leads, some wit and finesse in the writing, and lightness and clarity of purpose throughout. Two sequels followed.

Here’s the trailer.