Batman encounters Catwoman and The Penguin, who is being manipulated to become mayor of Gotham City. Darker, confident sequel, with a pervy streak a mile wide running right through it. Pushing the limits of weirdness for a tentpole release, Batman Returns is both a franchise and genre high point.
Batman creates – and battles – the Joker. Mixing expressionism, noir, Hammer horror and pop art, the 1989 Batman is well-tailored from patches and the need to service a guest villain performance, even if it doesn’t really have a story. Still fun, tho, with a lovely mix of technologies working together. Best of all, it feels like a comic book. Sequels followed.
A failing circus buys a pregnant elephant; her baby has huge ears, allowing it to fly. Ambitious but mostly soulless attempt to make a non-musical live-action/CG remake of the 1941 original. Some heart, but this is mostly anodyne and clean, lacking the dark inventive touch of early Burton.
An ancient vampire is resurrected; he vows to restore the family fortunes. Gothic comedy-horror revival of the 60s TV series. Initially very funny, but soon collapses as there’s not much story, and the film runs out of culture-clash gags. Looks great, though. Minor Burton, alas.