A team of mercenaries fall foul of a SAS death squad. Brisk and intriguing 1980-set thriller with bags of action, based on a then-controversial Ranulph Fiennes book. More action than sense at times, but still plenty of genre fun.
Dirty Harry Callahan – now with a female partner – takes on a terrorist cell holding San Francisco to ransom. Third in the series, and the decline has set in; a straightforward and at times brutal actioner with some moments of cynical humour to redeem it.
A treasure seeker is in a race against time to find a fabled hoard. Daft but hugely enjoyable chase and puzzle-based comedy-thriller, riffing off Dan Brown, Indiana Jones, and Mission: Impossible equally. Lots of fun if you’re in the mood.
A professional assassin mentors a young man while seeking revenge for a betrayal. Okay remake of the 1972 Charles Bronson original, with plenty of generally well-orchestrated action to hurry the plot along. A sequel, 2016’s Mechanic: Resurrection, followed.
A dramatisation of the 1980 Iranian embassy siege. Glum retelling which struggles to evidence a point for its existence, delivering neither on insight, telling detail, nor even on SAS action. Who Dare Wins was, at least, bonkers.
A forensic accountant with social skills issues is also an assassin, specialising in killing international criminals. Oddball action drama with a weird premise and a lead character with the kind of autism found only in movies. Not terrible, but feels like three different spec scripts combined into one.