Close (2019, dir. Vicky Jewson)

A bodyguard is assigned to protect the wayward daughter of an embattled corporate executive. Smart, tight little thriller with a focus on relationships as well as on low-key but still effective action, marking out the director as one to watch.

Mile 22 (2018, dir. Peter Berg)

An elite anti-terrorist squad battles to get an asset across a hostile city. Clunky actioner mistaking thuggishness for badassdom; unlikeable characters don’t help, and the wasting of Uko Iwais is nigh unforgivable. Fourth and least of the Berg/Wahlberg flicks to date.

Red Dragon (2002, dir. Brett Ratner)

An FBI agent comes out of early retirement to catch a serial killer. Competent adaptation of the Thomas Harris novel (already filmed as Manhunter), here styled as a prequel to The Silence of the Lambs. Over-familiar material means diminishing returns though, despite good work from cast and crew.

Hannibal (2001, dir. Ridley Scott)

Clarice Starling is helped by a former victim of Lecter’s to find the escaped Hannibal. Elegant sequel to The Silence of the Lambs with Lecter repositioned as an antihero. Lots to enjoy if you go with it, though it lacks the impact of its predecessor.

The Silence of the Lambs (1991, dir. Jonathan Demme)

An FBI trainee enlists the help of a serial killer inmate to catch a murderer. Still-excellent adaptation of the Thomas Harris novel, faithful to the book but its own thing also. Autumnal and austere, with just a touch of gothic, and loaded with subtext.

Mission: Impossible: Rogue Nation (2015, dir. Christopher McQuarrie)

Ethan Hunt and the disavowed MI team track down a terrorist organisation named The Syndicate. Slick, expansive and fast. The series high-point to date, with a breakout performance from newcomer Rebecca Ferguson.

Want another review? Here’s Lemonsquirtle’s thoughts.