A farmer is driven mad by a selfish decision. Period horror-drama based on a Stephen King novella. Anchored by a great performance from Thomas Jane and a feeling of grim inevitability. No surprises, but a well-mounted production.
A bereaved couple’s new foster son’s dreams – and nightmares – can come true. Atypical jumpscare horror which morphs into something a little more touchy-feely. Not for all tastes, but well-directed by the talented Flanagan.
A child survivor of a cult mass suicide returns to the site; as an adult with a documentary crew. There’s some good stuff here – not least in Thomas Jane’s rockstar performance as a Jim Jones-ish messiah figure – but the narrative is messy throughout, and the washed-out visuals are an affectation too far.