Annabelle Comes Home (2019, dir. Gary Dauberman)

Babysitters working for The Warrens meddle with cursed artefacts, summoning a range of demonic entities. Okay series entry/sequel working to tie together the convoluted Conjuring franchise; slight on story, but some effective jumps, neat period details, and an appealing cast.

The Curse of La Llorona [AKA The Curse of the Weeping Woman] (2019, dir. Michael Chaves)

LA, 1973. A cursed social services worker has her family stalked by a vengeful child-killing spirit. Competent jump-scare horror with links to the Conjuring universe. Some decent period details, solid character actors galore, and a few well-engineered shocks. All-but-bloodless fare, but entertaining enough.

The Nun (2018, dir. Corin Hardy)

A priest and a novice nun investigate an ancient evil linked to a convent. Daft sidequel to The Conjuring, following from a plot thread in the second movie. Good-looking in places, but po-faced and reliant on jumpscares over much in the way of narrative logic. For series completists only.

And here’s a second opinion from the 255Review crew.

 

 

Annabelle: Creation (2017, dir. David F. Sandberg)

A group of orphaned girls find a possessed doll in their new home. Superior prequel to Annabelle; this jump-scare offshoot from The Conjuring has some flaws in its script, but delivers in both period setting, design and some neat boo moments.