Dracula [AKA Horror of Dracula] (1958, dir. Terence Fisher)

Vampire hunters tackle an ancient evil. Innovative, brisk and for-its-time revolutionary version of the gothic horror classic, here telescoped admirably into a pacy visual thriller. Played straight, fluidly directed and still influential. Recommended. Eight sequels followed.

Here’s the trailer.

Dracula: Prince of Darkness (1966, dir. Terence Fisher)

English tourists find themselves at a remote Carpathian castle against locals’ advice. Brisk direct sequel to Hammer’s 1958 Dracula, without Cushing this time, but instead using bits of the Stoker (like the Renfield subplot) not co-opted first time. Some effective direction and visual imagery, plus sly humour from Philip Latham as manservant Klove.

Here’s the trailer.

The Curse of Frankenstein (1957, dir. Terence Fisher)

A condemned nobleman scientist confesses his experiments in human reanimation. Sensational in its time, this first Hammer gothic literature adaptation not only offers a template for two decades of productions, but still works in dramatic and genre terms, with direction, lead performance, and art direction all standouts.

The Devil Rides Out (a.k.a The Devil’s Bride 1968, Dir. Terence Fisher)

Superior Devil Worshipers vs Good Guys Hammer Horror from stalwart director Fisher. Some fantastic scenes, interwoven with truly odd but brilliant dialogue and an unforgettable appearance from Old Nick. Easily one of the best Hammer films!