A boy magician quests with a warrior to retrieve a magic ring and avenge his father’s murder. Family-oriented sword and sorcery on a budget: sets, footage, and music recycled from other Corman productions, plus half an eye on wider 80s fantasy tropes. Dayglo and unabashed, mind, so tolerable for the undemanding. A sequel followed in 1989.
An orphaned prince, now a mercenary, battles the usurper who murdered his parents. Okay sword and sorcery flick with some ripe performances, daft ideas, and a commitment to rubbery gore and sweaty flesh throughout. The promised sequel – Tales of an Ancient Empire – emerged in 2010.
An outlaw warrior helps a princess regain her throne from an evil sorcerer. This self-aware sequel is an improvement from its predecessor, going for swashbuckling laughs and camp in equal measure. No classic, but it’s clear that there is a joke and that the cast and crew are all in on it.
An outlaw warrior quests to reunite three fabled artefacts also sought by an evil magician. Tatty and at times po-faced sword and sorcery exploitation piece, albeit with intermittent amusing asides and a couple of fun lo-fi John Buechler monster effects. Three sequels followed.
Humans and renegade orcs band together to save a world. Lovingly-made, detailed, and well-shot for 3D, this is nevertheless a standard greenscreen-heavy sword and sorcery flick which offers little by way of originality in either its characters or story.