A misfit teen finds a Chinese puzzle box which can grant seven wishes. Pedestrian rehash of The Monkey’s Paw (plus shades of Hellraiser and Final Destination) which struggles to find new things to say, or novel ways to kill people. Weak sauce.
A father and son pair of coroners investigate a mysterious body found at a crime scene. The third act doesn’t quite deliver on the promise of the first two, but for the most part this is a terrific claustrophobic two-hander balancing gore and intrigue throughout.
Want another review? Here’s Lemonsquirtle’s tuppence-worth.
The Ghostbusters have to reunite to battle another supernatural threat to New York. As much a remake of the 1984 original as a sequel, this passable reprise lacks the first film’s freshness, but has a few good lines and performances nevertheless.
A documentary team investigate a supposedly-haunted asylum, the site of a reality show gone wrong five years before. Straightforward jumpscare found-footage horror sequel (to Seven Nights of Darkness), effective for an hour before collapsing in on itself, storywise.
A dead pilot returns to allow his former partner to move on with her life. A patchy and sentimental piece (remaking 1943’s A Guy Named Joe), happier in its flying, comic and firefighting action sequences than with the emotional scenes; some pleasures to be had, tho.
A troubled young woman is possessed by the spirit of a car-crash victim. Autumnal ghost story which is both slight and slow-paced, but which is well-shot, well-acted, and low-key enough to make you focus on what’s going on.
A dysfunctional family comes under attack from ancient demons. Standard Blumhouse jump-scare oooga-booga with a clear debt to Poltergeist, though enlivened by a strong cast (Bacon, Mitchell, Reiser) and confident direction from Wolf Creek’s Greg McLean.