No Sudden Move (2021, dir. Steven Soderbergh)

Two criminals are hired for a straightforward job: matters get complicated. Excellent period drama, using the tropes of noir to critique capitalism and corporate greed. Lots to relish, not least a cast in depth, plus slick, confident direction, writing, and design. Recommended.

Here’s the trailer.

Behind The Candelabra (2013, dir. Steven Soderbergh)

The last decade of Vegas performer Liberace’s life, from the perspective of his lover Scott Thorsen. A well-played and effective biopic, made with Soderbergh’s customary deftness, getting beyond the camp and rhinestones to explore the frailties of two people drawn to each other out of lack.

The Laundromat (2019, dir. Steven Soderbergh)

A widow investigates an insurance company; a complicated web of financial fraud unravels. Superficially similar to The Big Short and Vice in its mix of drama, comedy and mockumentary, The Laundromat offers a clear and accessible primer to the Panama Papers scandal, and to Mossack (Oldman) and Fonseca (Banderas), both gleeful at its heart.

Contagion (2011, dir. Steven Soderbergh)

A new disease spreads; an epidemic ensues. Excellent and sober intelligent action flick with the understated tone of a documentary. A genre movie handled with precision and the director’s trademark craft.

Logan Lucky (2017, dir. Steven Soderbergh)

Two down-on-their-luck brothers plan a heist at a Nascar race. Massively confident and entertaining crime comedy, which takes the hoariest of premises (breaking out of prison to commit the perfect crime) and has lots of fun with it. Polished entertainment.

Side Effects (2013, dir. Steven Soderbergh)

A patient involved in a drug trial murders her husband. Woozy neo-noir that comes at you like a mix of 50s paranoid Hitchcock and 60s New Wave. Lots of fine stuff along the way, even if the plotting isn’t as crystal as in Soderbergh’s best work.