The Irishman [AKA I Heard You Paint Houses] (2019, dir. Martin Scorsese)

A now-aged mob hitman reflects. A stunning revisiting of themes preoccupying Scorsese throughout his career; gang life, organised crime, Catholic guilt. Sombre and melancholy, and Ellroy-like in its alt-history approach to the American 20th century. A technical, dramatic and stylistic marvel, with fine performances all around, none less than from Pesci, who’s revelatory here. Hugely recommended.

Get Santa (2013, dir. Christopher Smith)

An ex-con has to restore his relationship with his son by rescuing Santa and Christmas. Modest but quirky Brit festive flick which goes for the usual emotional gubbins but scores with some appealing casting, and decent poo and fart jokes.