Percy Jackson: Sea of Monsters (2013, dir. Thor Freudenthal)

Percy and friends have to find the Golden Fleece so they can save their home. Cut-price sequel (no returning guest stars) with join-the-dots plotting as before, this time taking elements from the first two Indiana Jones movies as well as the Rick Riordan source books and wider Greek myth. Not very good; Part 3 (The Titan’s Curse) was never made.

The Company You Keep (2012, dir. Robert Redford)

A long-underground former radical has to go on the run when his new identity is revealed. Well-made, intelligent political thriller with a cast of character actors to die for. A little low-key for some, maybe, but this is a movie that delivers well on its own terms. Recommended.

Night Hunter [AKA Nomis] (2018, dir. David Raymond)

An obsessed detective and a former judge work together to track an abductor of young women. Messy blend of a hundred different thrillers, bolstered by a great cast doing good work in wintry conditions. Watchable, but curious; the script on paper must have been greater than the end result.

The Silence (2019, dir. John R Leonetti)

After a swarm of ravenous creatures who hunt by sound is released, a family runs to stay alive. Patchy road movie/horror hybrid from the Tim Lebbon novel. Comes across – a touch unfairly – as an opportunistic grab-bag of bits from Pitch Black / The Birds / Straw Dogs and the more recent Bird Box / A Quiet Place.

The Core (2003, dir. Jon Amiel)

When the earth’s core stops rotating, a mission is assembled to restart it. Enjoyably daft and self-aware big-budget B-movie, with an excellent cast of character actors playing the dopey material with an eye to stay on the right side of camp always.

The Terminal (2004, dir. Steven Spielberg)

After a bureaucratic foul-up leaves him stateless, a man is forced to live in an airport terminal. Well-directed comedy-drama which starts brilliantly and then gets bogged down in sub-plots and a shift from existential malaise to schmaltz.

Margin Call (2011, dir. JC Chandor)

A night and a day in a Wall Street company going under at the start of the financial crisis. Smart little boardroom thriller with a keen ensemble cast working well together. Makes you care about a bunch of suits and their shifty ways with numbers.