3022 (2019, dir. John Suits)

A long-haul mission space station crew fractures when Earth is destroyed. Talky SF pic that wants to be both Solaris and Gravity but can’t settle, trying for both thriller and psychological study to variable effect. Some effective use of a decent cast and limited resources, but the scattershot scripting fluffs the ending, which is a shame.

Here’s the trailer.

2001: A Space Odyssey (1968, dir. Stanley Kubrick)

An alien civilisation makes a series of contacts with life on Earth; one provokes a space mission. Still-extraordinary piece of mainstream SF with philosophical ambitions, plus a technical marvel. Essential viewing, even if it remains impenetrable to some.

Geostorm (2017, dir. Dean Devlin)

Weather control satellites are interfered with to cause global destruction as part of a conspiracy. Longtime Roland Emmerich cohort Dean Devlin pastiches the RE formula, but hasn’t the same panache; this is a lumpy blockbuster that makes little sense.

Another perspective required? Here’s Xussia’s take.

The Cloverfield Paradox (2018, dir. Julius Onah)

A space station tasked with saving the Earth from energy crisis is transported to a parallel dimension. Good-looking, well-cast, but dumb-as-rocks sidequel to Cloverfield / 10 Cloverfield Lane that steals indiscriminately (Gravity to Evil Dead II) but can’t settle in terms of tone or logic.