A captured bank robber is forced to retrieve a kidnapped woman for a gang boss. A post-apocalyptic samurai/western hybrid, using a Mad Max/Escape from New York structure for all kinds of digressions. It doesn’t all work (the script is the culprit here), but it looks great in a neon Terry Gilliam kinda way, and everyone seems to be having fun.
An off-world family living on a desert homestead comes under attack from strangers. Episodic SF western drama. Strong technical credits and decent performances help, though story is the issue here: Moon is a clear inspiration. Nevertheless, effective as a calling card.
A cockney youth is inducted into an elite British secret agency. Confident spy comedy from the graphic novel series, both spoofing and celebrating Bond and The Avengers in equal measure. Stylised and violent; not for everyone in its laddish glee. A sequel, expanding the universe, soon followed.
One night in a gangsters-only private hospital in riot-torn near-future LA. Derivative but fun low-budget cyberpunk thriller, with elements of the Purge andJohn Wick movies. The budget’s wisely spent on strength in depth in the casting.
The Enterprise is destroyed by an alien race seeking a device that will allow them to attack the Federation. A pacy, light, though ultimately disposable third instalment of the alt-timeline Kirk adventures. Feels like an expanded TV episode; not altogether a criticism.