Attacks on Starfleet propel Kirk and crew into a manhunt in Klingon territory. Second of the alt-timeline reboot film series works fine as a pacy SF adventure with plenty of comedy to counterpoint the action, though struggles – as before – with its villainy and a need to over-reference its predecessors. A third movie followed.
Ethan Hunt and the disavowed MI team track down a terrorist organisation named The Syndicate. Slick, expansive and fast. The series high-point to date, with a breakout performance from newcomer Rebecca Ferguson.
Ethan Hunt and his IMF team hunt down an extremist with a nuclear capability. More of a series of (admittedly fun and exciting) set-pieces than a movie as such, this fourth instalment is exhilarating while its on, but doesn’t leave a lasting impression.
A teenager battles an evil corporation in a quest to control a virtual reality game-world. Sporadically spectacular but narratively dull SF adventure which improves on the source novel but still lapses into pop-culture reference tickbox territory at its lamest.
Ethan Hunt is called out of retirement to track down an arms dealer. Slick third instalment that delivers in terms of action, lead actor stunts, and popcorn flick shenanigans, establishing a template for later series entries.
Ethan Hunt and his team battle a nuclear conspiracy involving followers of Solomon Lane. Splendid series continuation from Part 5 (MI: Rogue Nation), with hugely-impressive stuntwork and the usual emphasis on twists and double-crosses. Recommended.
The Enterprise crew assembles and fights a renegade Romulan across two generations. Slick and funny on the surface, though with an awkward backstory (alt-timelines and time-travel), this franchise reboot delivers acceptably with a well-cast crew.
The Enterprise is destroyed by an alien race seeking a device that will allow them to attack the Federation. A pacy, light, though ultimately disposable third instalment of the alt-timeline Kirk adventures. Feels like an expanded TV episode; not altogether a criticism.
An over-performing cop is sent to a rural backwater; and then the killings start. Affectionate spoof of US buddy action movies with a touch of Midsomer Murders. Slightly overstays its welcome with a never-ending third act, but very solid and entertaining nevertheless.
Three sets of interrelated complications involving a jaded hit man. Great-looking and confidently-directed but thoroughly unfunny would-be comedy-thriller that tries something Tarantino/McDonagh-ish but ends up like 90s wannabes such as Three Days In The Valley.