The Silence (2019, dir. John R Leonetti)

After a swarm of ravenous creatures who hunt by sound is released, a family runs to stay alive. Patchy road movie/horror hybrid from the Tim Lebbon novel. Comes across Рa touch unfairly Рas an opportunistic grab-bag of bits from Pitch Black / The Birds / Straw Dogs and the more recent Bird Box / A Quiet Place.

Demon Knight [AKA Tales From The Crypt: Demon Knight] (1995, dir. Ernest Dickerson)

A remorseless demon stalks an immortal holding the last key to humanity’s survival. Under-appreciated siege horror-comedy linked (vaguely) to the EC comics. A game diverse ensemble cast of character actors jolly things along, supported by excellent direction. Unpretentious fun.

Security (2017, dir. Alain Desrochers)

An ex-marine mall cop defends his workplace from besieging¬†kidnappers. Hugely enjoyable little B-movie riffing on Cohen & Tate, Die Hard and John Carpenter’s Rio Bravo-ish siege flicks. Some hideously-intrusive product placement aside, this is an unpretentious¬†blast.

North Sea Hijack (AKA ffoulkes / Assault Force) (1980, dir. Andrew V. McLaglen)

Oil rigs are held to ransom; an unconventional adventurer has a solution. Quirky and at times campy terrorist/siege flick with unusual premise. Talky, but with good moments and a great cast at play.

The Great Wall (2016, dir. Zhang Yimou)

Two European brigands help China defend its empire from monsters. Intermittently undeniably spectacular, with some keen use of 3D, this is nevertheless a very straightforward fantasy siege movie which feels oddly bland, secondhand, and compromised.