Biopic of Neil Armstrong, from test pilot to Apollo 11 days. An impressionistic, oblique approach doesn’t really penetrate the subject, leaving Gosling free to offer another blank, introverted performance. Impressive rather than good, though with a sterling cast of character actors in support.
An ex-diplomat is recalled to Beirut to negotiate a hostage release. Generally smart thriller which downplays the geopolitics of the region and wisely focuses on multiple warring groups after the same prize. Solid direction and unshowy playing helps.
One night at a motel on the California/Nevada border, where no-one is who they appear to be. Twisty-turny self-conscious comedy-thriller; lots of fun if you go with it, though the movie’s stately pace may frustrate some.
A getaway driver finds himself in the middle of a double-cross. A lean, effective thriller that’s equal parts The Driver and Locke. Frank Grillo makes for a pleasingly ordinary protagonist. Shades of John Carpenter and Walter Hill throughout. Recommended.
A teenager finds a notebook with the power to compel a death-demon. Manga/J-horror Americanisation; effective if you go with its dream-logic (the Phantasm movies get a shout-out as a clue), with some good performances and strong direction from Wingard.