Let Her Out (2016, dir. Cody Calahan)

A young woman finds she is possessed by her unborn twin, growing as a tumour in her brain. Grubby little horror pic with decent gore effects, but with a glum premise, iffy interior logic, a queasy and wholly unjustified focus on rape, and an unravelling storyline.

Death Note (2017, dir. Adam Wingard)

A teenager finds a notebook with the power to compel a death-demon. Manga/J-horror Americanisation; effective if you go with its dream-logic (the Phantasm movies get a shout-out as a clue), with some good performances and strong direction from Wingard.