Firestarter (2022, dir. Keith Thomas)

A girl with pyrokinetic powers is on the run from the authorities. Perfunctory second adaptation of the Stephen King novel, unsure quite what to do with the source material. At its best, it apes the previous version, no classic itself. A throbbing John Carpenter score helps some.

Here’s the trailer.

Nope (2022, dir. Jordan Peele)

A Los Angeles horse trainer thinks his ranch is home to a UFO. Splendid SF parable, playing with all sorts from Hollywood lives to obsession with spectacle and fame via an M Night Shyamalan-ish genre pastiche. Loads to appreciate, both on first and (especially) repeated viewings. Recommended.

Here’s the trailer.

Lightyear (2022, dir. Angus MacLane)

A space ranger tries to rectify the error marooning his vessel and crew. Contrived Toy Story spinoff – purportedly the film spurring merchandise – that starts well and looks great throughout, hampered with a stupid plot reveal. Also, Buzz here isn’t the toy character. Some good gags and shoutouts, but an empty movie nevertheless.

Here’s the trailer.

Prey (2022, dir. Dan Trachtenberg)

1719: a young Commanche woman determined to become a hunter combats an alien presence. Smart, thrilling riff on the Disney/Pixar princess archetype: this is Brave or Moana meets Apocalypto, basically. A lean, effective thrill ride blending action, gore, and character-focused storytelling well, with a few neat nods to the wider Predator franchise.

Here’s the trailer.

Ad Astra (2019, dir. James Gray)

An astronaut finds that his long-lost father may be alive on a deep-space vessel now threatening Earth. Defiantly odd Freudian space opera, part First Man, part 2001 wannabe, part Moonraker. And all the better for it, even though the story doesn’t stack up. Glorious-looking throughout, and with mesmerising sound design and soundtrack.