The Vault [AKA Way Down] (2021, dir. Jaume Balaguero)

A young engineer is recruited to help steal a priceless artefact from an impregnable bank. Slick, good-looking and well-directed but very straightforward heist flick. A decent cast of character actors help, but there’s the sense of an opportunity missed here.

Here’s the trailer.

Maleficent: Mistress of Evil (2019, dir. Joachim Ronning)

Aurora and Phillip are to be wed; but war between humans and fairy folk is threatened. Plodding sequel that substitutes mythos expansion for story. The chief fresh inspiration plundered here is Avatar, of all things. A decent cast does what it can with the material provided, but this is a franchise-killer.

Maleficent (2014, dir. Robert Stromberg)

A loose retelling of Sleeping Beauty, from the perspective of its antagonist. A brisk dark-ish fantasy that at least tries something a little different from the usual Disney liveactionifications of its animated properties. Hyperreal and CGtastic, though at least it’s pacy, and Jolie seems to be having fun. A sequel followed.

13 (2010, dir. Géla Babluani)

A desperate young man stumbles into a murderous gambling game. Okay English-language remake of the director’s own 13 Tzameti with a solid cast of character actors doing something a bit different, though the well-known faces impact on narrative tension.