1917 (2019, dir. Sam Mendes)

Two soldiers are given orders to deliver an urgent message to prevent a massacre. Works better as a race-against-time action movie than as an anti-war flick, but sustains itself impeccably and looks great throughout. The single-shot/more-or-less real-time aesthetic just about justifies itself, though can be distracting in quieter moments.

Skyfall (2012, dir. Sam Mendes)

Bond battles a former MI:6 agent intent on revenge on M. Superior series entry with lots to recommend it, not least a back-to-basics siege third act. A couple of wobbly moments (beware the oddly-empty tube car), but apart from those, this is superior genre entertainment.

Spectre (2015, dir. Sam Mendes)

A political attempt to neuter M16 is found to be the work of an enemy organisation. The first two acts work well, but the last hourĀ falls apart through trying to stitch the Craig-era Bond films into a single narrative with an awkwardly-revealed Blofeld at its centre.