A woodcutter’s son journeys to find hope to save his father and his kingdom. Very straightforward festive origin fantasy shamelessly lifted structure-wise from The Princess Bride. A decent cast helps no end: the flick relies on professional support for its scant charm.
Earth is threatened by MUTOs (massive unidentified terrestrial organisms), awoken by human nuclear activity. Superior monster mayhem anchored by a fabulous visual sensibility, and by a genuine feeling of otherness between the creatures and us. Story-light, and a touch serious, but properly spectacular, nevertheless. Sequels ensued.
The Russells and others fight the emerging Titans; and work to support Godzilla. Decent if slightly over-serious continuation of the 2014 rebooted cycle with a canny cast of character actors and a genuine sense of the spectacular. Light on story, but heavy on Kyle Chandler reaction shots, plus monster-fu aplenty.
A mute cleaner falls in love with a humanoid aquatic creature being held in a government research laboratory. Dazzlingly confident romantic fantasy with SF/horror touches. Amelie meets The Creature From The Black Lagoon with a bit of Little Voice. Highly recommended.
Paddington ends up in prison after being wrongly convicted of a treasure map theft. Machine-tooled sequel balancing community spirit, slapstick, musical numbers and a climactic train chase. Expertly done, with a fine cast, especially a gleeful Hugh Grant.