The Adam Project (2022, dir. Shawn Levy)

A bullied 12-year-old is visited by his older self, now a time fugitive. Cheerful if overstuffed SF comedy, brazen in its lifts from everything 80s from ET to Firefox via Return of the Jedi. A decent cast play to their strengths and the movie gets by on its own through having its heart more or less on its sleeve throughout.

Here’s the trailer.

Free Guy (2021, dir. Shawn Levy)

A man living an idealistic life finds out that he’s a non-playing character in a video game. Generally sprightly action comedy that mashes up The Truman Show and They Live to pleasing if disposable effect. No huge surprises, though there’s a few neat gags and further evidence supplied that Taika Waititi is many things but not an actor.

Here’s the trailer.

6 Underground (2019, dir. Michael Bay)

A tech billionaire finances a vigilante squad dedicated to removing threats to global peace. Well-made fun-but-dumb action-comedy playing to the director’s trademark obsessions and strengths in mashing up Michael Mann and Tony Scott. An auteurist work; spectacular in both the Debordian and the blowing-shit-up-good senses.

Mississippi Grind (2015, dir. Anna Boden & Ryan Fleck)

A deadbeat gambler goes on a road trip with a stranger he considers a lucky charm. A great, unassuming little movie with more than a touch of realism that works well with road movie tropes and allows Mendelsohn, in particular, the space to shine. Hugely recommended.

Deadpool 2 (2018, dir. David Leitch)

After the death of his girlfriend, Deadpool finds redemption in protecting a young mutant. Confident sequel with the same approach as before, mixing cartoony violence, baroque language and metatextual gags.

The Hitman’s Bodyguard (2017, dir. Patrick Hughes)

A down-on-his-luck bodyguard has to escort his former nemesis to a court hearing. Passable road movie / action comedy with a game cast doing its best with average material. Some fun bickering and fighting though, and a weird sense of UK geography.

Life (2017, dir. Daniel Espinosa)

An ISS research team discover a life-form in a sample of Mars soil. Effective and well-sustained creature feature, making the most of its actors and the limitations of the space station environment to create plausible tension. Recommended for genre fans.

Want a second opinion? Here’s Lemonsquirtle’s take.