An archaeologist and a nightclub singer find themselves facing an ancient occult evil. Though this prequel starts and finishes well, it’s hampered by an absence of narrative causality, two annoying sidekicks, and unfortunate treatment of gender and ethnicity throughout. Some great stuff remains, but this is too awkward too often.
A failing circus buys a pregnant elephant; her baby has huge ears, allowing it to fly. Ambitious but mostly soulless attempt to make a non-musical live-action/CG remake of the 1941 original. Some heart, but this is mostly anodyne and clean, lacking the dark inventive touch of early Burton.