A prequel of sorts to JM Barrie’s Peter Pan. And not a very good one either. Some interesting production design, but that’s about it. A poor script, misjudged performances, and evidence of a post-production salvage attempt. A disappointment.
A patient involved in a drug trial murders her husband. Woozy neo-noir that comes at you like a mix of 50s paranoid Hitchcock and 60s New Wave. Lots of fine stuff along the way, even if the plotting isn’t as crystal as in Soderbergh’s best work.