Under the Silver Lake (2018, dir. David Robert Mitchell)

An LA slacker investigates a neighbour’s disappearance: he soon spirals into a web of conspiracy. In the overlap of the Hitchcock / Pynchon / Paul Thomas Anderson Venn diagram, this 2011-set shaggy dog neo-noir is more a vibe than a movie: there’s indulgent pleasures along the way, but don’t expect a cohesive story.

Here’s the trailer.

The Last House on the Left (2009, dir. Dennis Iliadis)

A holidaying young woman is raped by an escaped prisoner; later, he and his crew happen across her parents. Overlong horror remake with handsome production values which problematise the movie; prurient direction doesn’t help, so confused messages abound, impacting on the potential for the movie to be, you know, entertaining.