A deep space mission to engage with humanity’s distant ancestors finds more than it bargained. Great-looking but ultimately dumb and pretentious Alien prequel, with a fine cast largely wasted on a grab-bag script of variable ideas. Alien: Covenant followed in 2017,
A dramatisation of the 1973 kidnapping of John Paul Getty III. Well-acted, good-looking though insubstantial retelling of a famous case; not quite a serious drama or a straightforward thriller, and the weaker for the indecision.
A commercial space vehicle answers a distress call. Perhaps showing its age in some of its choices, nevertheless Alien is a storming piece of cinema, is outstandingly designed, directed and acted, and remains both relevant and influential 40 years on. A classic.
A CIA operative in the Middle East is caught between conflicting loyalties. Good-looking and well-directed though predictable tale of post-9/11 espionage, with opaque masculine moralities contrasted with a female archetype representing possible redemption.
A deep space colony vessel investigates a strange transmission from an Earth-like world. More Prometheus than Alien, this series entry unevenly balances monster horror and teenagery philosophical musings. Odd, but not uninteresting.
Archaeologists lead a space mission to the creators of life on Earth. Good-looking and packed with great images, this Alien prequel is nevertheless hugely flawed, not least with an abundance of intelligent beings doing really dumb things.