All The Money In The World (2017, dir. Ridley Scott)

A dramatisation of the 1973 kidnapping of John Paul Getty III. Well-acted, good-looking though insubstantial retelling of a famous case; not quite a serious drama or a straightforward thriller, and the weaker for the indecision.

Alien (1979, dir. Ridley Scott)

A commercial space vehicle answers a distress call. Perhaps showing its age in some of its choices, nevertheless Alien is a storming piece of cinema, is outstandingly designed, directed and acted, and remains both relevant and influential 40 years on. A classic.

Body of Lies (2008, dir. Ridley Scott)

A CIA operative in the Middle East is caught between conflicting loyalties. Good-looking and well-directed though predictable tale of post-9/11 espionage, with opaque masculine moralities contrasted with a female archetype representing possible redemption.

Alien: Covenant (2017, dir. Ridley Scott)

A deep space colony vessel investigates a strange transmission from an Earth-like world. More Prometheus than Alien, this series entry unevenly balances monster horror and teenagery philosophical musings. Odd, but not uninteresting.

Prometheus (2012, dir. Ridley Scott)

Archaeologists lead a space mission to the creators of life on Earth. Good-looking and packed with great images, this Alien prequel is nevertheless hugely flawed, not least with an abundance of intelligent beings doing really dumb things.