Survivors of a capsized cruise liner attempt to escape. Somewhat perfunctory and loose third adaptation of the Paul Gallico novel, with the feel of a much bigger film cropped back to 90 minutes as its own rescue attempt. Doesn’t add anything to the 1972 version bar some updated effects and a couple of impressive stunt moments.
A suburban dad is drawn to a Wyoming mountain after a close encounter with an unidentified flying object. Still hugely-effective blend of heart and smarts: perhaps Spielberg’s most complete film, mixing technical excellence with quest narratives, hard SF and senses of innocence and wonder.
A coastal resort is threatened by a predatory great white shark. Peerless proto-blockbuster and inventor of the summer event movie, Jaws retains its ability to thrill and impress. Character, action, location shooting, direction and a semi-improvised approach to dialogue are counterpointed by a terrific score. Sequels of diminishing quality followed.
A dead pilot returns to allow his former partner to move on with her life. A patchy and sentimental piece (remaking 1943’s A Guy Named Joe), happier in its flying, comic and firefighting action sequences than with the emotional scenes; some pleasures to be had, tho.