The Foreigner (2017, dir Martin Campbell)

A Chinese ex-soldier targets the former IRA boss he holds responsible for his daughter’s death. Enjoyable tho daft flick which struggles to reconcile its dated Troubles backstory with 21st century geriaction revenge concerns. Solid direction, good performances, and some deft stuntwork make this more than watchable.

Patriot Games (1992, dir. Phillip Noyce)

Or, Jack Ryan v. bits of the IRA. Awkwardly-conceived thriller which tries to have ‘good’ and ‘bad’ terrorists (this was pre-9/11; the IRA tended to be romanticised in US popculture). Some decent set-pieces, and a picture-postcard view of the UK.

Dead Man Down (2013, dir. Niels Arden Oplev)

A man seeks revenge on the gangster who killed his family. Glum thriller that spends too much time on taking itself too seriously and with obvious mystery and romance subplots. Good technical credits, tho, and fun cameos (Armand Assante, F Murray Abraham).

Tomboy (AKA Tomboy: A Revenger’s Tale / The Assignment / (Re) Assignment) (2016, dir. Walter Hill)

A hitman is subjected to forced gender reassignment. A messy hotchpotch of bad taste, worse gender politics, and a standard pulpy noir payback yarn. Tomboy is never uninteresting, but not always for the right genre reasons. A future cult beckons.