Skyfall (2012, dir. Sam Mendes)

Bond battles a former MI:6 agent intent on revenge on M. Superior series entry with lots to recommend it, not least a back-to-basics siege third act. A couple of wobbly moments (beware the oddly-empty tube car), but apart from those, this is superior genre entertainment.

Three Billboards Outside Ebbing, Missouri (2017, dir. Martin McDonagh)

A woman pursues justice for her murdered daughter. Offbeat black comedy-drama with little concession to likeability or straightforwardness. Hugely enjoyable, though, with great performances, and keeps always on the right side of quirky.

Want a second opinion? Here’s Lemonsquirtle’s.

Winchester ’73 (1950, dir. Anthony Mann)

A cowboy relentlessly pursues an outlaw, and the prized rifle stolen from him. The first Mann/Stewart western is a splendid thing, creating a new rugged persona for Stewart and delivering in all manner of genre pleasures. Highly recommended.

American Assassin (2017, dir. Michael Cuesta)

A headstrong young man joins a CIS black ops team to get revenge on the terrorists who killed his fiance. Straightforward basic training and first mission movie (adapted from the Vince Flynn novels) which escalates awkwardly from fisticuffs to stolen nukes and an iffily CG-ed armada. Patchy.

Star Trek II: The Wrath of Khan (1982, dir. Nicholas Meyer)

An old adversary returns, seeking vengeance on Kirk. Second and perhaps the best of the movie adventures, this captures the series well in its sense of adventure, while delivering both in action and SF spectacle, as well as in some deliriously hammy acting. Huge fun.

London Heist [AKA Gunned Down] (2017, dir. Mark McQueen)

A professional thief tracks down those responsible for his father’s killing. Straightforward low-budget East End/Marbella robbery and double-crossery shenanigans, with some flair in the execution though the script deals in stereotypes and cliches at times.