A snowplough driver seeks revenge on the drug dealers who killed his son. Black comedy English-language remake of the director’s 2014 In Order of Disappearance/Kraftidioten. Lacks the transgressive edge of the original; a good cast doesn’t have much to do.
Wick, now excommunicado, seeks a way back. Part 3 expands on the series mythology and develops both the character’s backstory and the action choreography. Not all of the plot makes sense, but for the main part, this is exhilarating physical entertainment with some dark humour.
Five years after her family’s murder, a mother returns to the US for revenge. Straightforward action fantasy with a committed lead performance and an outsider’s view of LA. Not great, but there’s a couple of interesting plot wrinkles along the way.
A neolithic man seeks revenge on the marauders who killed his family. Splendid prehistoric Western, using genre tropes to comment on grief, loss, religion and human relations with the natural in all kinds of interesting ways. Recommended.
An augmented car mechanic tracks down the men who killed his wife and left him in a wheelchair. Fast, fun and brutal SF/horror hybrid with an excellent physical lead performance and lots to recommend it. The kinda genre movie they don’t often make any more.
A rural couple is kidnapped by cultists, triggering a revenge spree. Dazzling and trippy horror/road movie hybrid, set in a stylised 1983. A movie with its own rules that fully rewards going with it and its excesses, in both narrative and visuals. Recommended.
Bond battles a former MI:6 agent intent on revenge on M. Superior series entry with lots to recommend it, not least a back-to-basics siege third act. A couple of wobbly moments (beware the oddly-empty tube car), but apart from those, this is superior genre entertainment.