After his wife is murdered in a home invasion, a mild-mannered doctor turns vigilante. Tonally-inconsistent remake of the 70s Bronson flick. Horror and black comedy elements along with the violent action, and flirtation with Willis/Kersey as psychotic. Not uninteresting in its way.
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An ancient vampire is resurrected; he vows to restore the family fortunes. Gothic comedy-horror revival of the 60s TV series. Initially very funny, but soon collapses as there’s not much story, and the film runs out of culture-clash gags. Looks great, though. Minor Burton, alas.
An independent bookshop owner and a corporate bookstore exec fall in love pseudonymously by email. Slick update of (among others) Lubitsch’s The Shop Around The Corner, though now a 90s period piece itself in respect of its tech, its fascination with bricks-and-mortar retail, and some of its assumptions.
A department store Santa may just be the real thing. Saccharine remake of the 1947 original. Okay if you’re indulgent, and there’s strength in depth in the casting (JT Walsh!) but this is no classic.
Almost shot-for-shot remake of the 1960 Hitchcock classic of the same name. An odd thing to attempt, and one which flags up the uniqueness of the original, despite (and maybe because of) a solid cast and respectful treatment of the first movie.
A ruthless crew hijacks a New York subway train. Glossy but stirring second remake of the 1970s Walter Matthau/Robert Shaw classic. Inevitably the movie is opened up to the story’s detriment, but this is nevertheless an exciting and well-played flick.
A viral outbreak in a small Iowa town leads to a zombie-like infection and a military lockdown. Effective and well-sustained remake of the 1973 George Romero flick of the same name. Cynical, paranoid and subversive within its now-familiar genre framework.