A trainee doctor is forced to go on the run with an escaped prisoner. Straightforward chase thriller that holds itself together via its lead performances. The usual double-crosses and switches, though the movie undercuts its committed leads with some awkward comedic juxtapositions and musical cues.
A snowplough driver seeks revenge on the drug dealers who killed his son. Black comedy English-language remake of the director’s 2014 In Order of Disappearance/Kraftidioten. Lacks the transgressive edge of the original; a good cast doesn’t have much to do.
A Georgia drug dealer tries for one last score to get out of the life. Okay remake/reprise that’s more style than substance, too often simply presenting the genre tropes than doing much useful with them. Some interesting moments, though, and a good Morris Day joke.
A dancer joins a troupe that’s a front for a coven. Startling remake of the Argento original that while not having the bravura dream logic of the original is nevertheless an unsettling and well-sustained piece of work. Respectful enough to pay homage, but different enough to be its own beast.
An FBI agent comes out of early retirement to catch a serial killer. Competent adaptation of the Thomas Harris novel (already filmed as Manhunter), here styled as a prequel to The Silence of the Lambs. Over-familiar material means diminishing returns though, despite good work from cast and crew.
After his wife is murdered in a home invasion, a mild-mannered doctor turns vigilante. Tonally-inconsistent remake of the 70s Bronson flick. Horror and black comedy elements along with the violent action, and flirtation with Willis/Kersey as psychotic. Not uninteresting in its way.
Want another opinion? Here’s Xussia’s take.
An ancient vampire is resurrected; he vows to restore the family fortunes. Gothic comedy-horror revival of the 60s TV series. Initially very funny, but soon collapses as there’s not much story, and the film runs out of culture-clash gags. Looks great, though. Minor Burton, alas.