Gunpowder Milkshake (2021, dir. Navot Papushado)

A hitwoman becomes embroiled in an escalating series of double-crosses when a job goes awry. Stylised John Wick-ish action comedy squandering an excellent cast on a cliched script, and on a baffling series of distancing techniques rendering the flick good-looking (and sounding) but empty, flat and uninvolving.

Here’s the trailer.

Dolittle (2020, dir. Stephen Gaghan)

A reclusive naturalist and doctor voyages to find a fabled fruit so he can save the life of the young Queen Victoria. Genuinely terrible revisioning of the Hugh Lofting talks-to-animals character: a movie assembled from multiple reshoots and dubbing sessions. Michael Sheen is fun as the villain, but that’s about it.

Here’s the trailer.

Don’t take my word for it, though. Here’s Xussia’s review.

Brahms: The Boy II (2020, dir. William Brent Bell)

A family recovering from trauma rent a rural property in the grounds of a country house where a tragedy occurred. Predictable bloodless jumpscare sequel that struggles to reconfigure its villain, rules and premise from Part I. The dependable Ralph Ineson glowers in support as a gamekeeper.

Ready Player One (2018, dir. Steven Spielberg)

A teenager battles an evil corporation in a quest to control a virtual reality game-world. Sporadically spectacular but narratively dull SF adventure which improves on the source novel but still lapses into pop-culture reference tickbox territory at its lamest.

The Ballad of Buster Scruggs (2018, dir. Joel & Ethan Coen)

Six tales of the Old West, each taller than the last. Splendid Western anthology, packed full of quirky moments and character actors, with a few stars plainly having fun. Not exactly commercial, though; Netflix is a good home for this Coen brothers confection.

The Hurricane Heist (2018, dir. Rob Cohen)

A meteorologist and a US Treasury agent combat thieves using a hurricane as cover for a robbery. Underpowered mashup of Twister and Hard Rain with some good moments – Ralph Ineson’s baddie is fun – but an over-reliance on cliche and CG storms.