Holmes & Watson (2018, dir. Etan Cohen)

A celebrated detective battles a plot to assassinate Queen Victoria. A great cast, handsome production values and enthusiastic playing can’t save this mess, seemingly compiled from extensive on-set improvisations rather than a script. Inevitably, some fine moments, but this is a skit stretched to 90 minutes.

Red Dragon (2002, dir. Brett Ratner)

An FBI agent comes out of early retirement to catch a serial killer. Competent adaptation of the Thomas Harris novel (already filmed as Manhunter), here styled as a prequel to The Silence of the Lambs. Over-familiar material means diminishing returns though, despite good work from cast and crew.

Skyfall (2012, dir. Sam Mendes)

Bond battles a former MI:6 agent intent on revenge on M. Superior series entry with lots to recommend it, not least a back-to-basics siege third act. A couple of wobbly moments (beware the oddly-empty tube car), but apart from those, this is superior genre entertainment.

Spectre (2015, dir. Sam Mendes)

A political attempt to neuter M16 is found to be the work of an enemy organisation. The first two acts work well, but the last hour falls apart through trying to stitch the Craig-era Bond films into a single narrative with an awkwardly-revealed Blofeld at its centre.