Trick (2019, dir. Patrick Lussier)

A Fed and a cop become obsessed over a mass murderer who reappears each Halloween. The movie starts well, though gets bogged down by Act 3 because it can’t finesse its tricky reveal while still staging multiple splattery deaths and referencing all the horror films it can think of. Over-edited, flawed, but not uninteresting.

Body Cam (2020, dir. Malik Vitthal)

A bereaved patrol officer investigates the cover-up of a child’s death, and the police killings that ensue. Flawed but fascinating horror/procedural that explores cop-on-black murder and the need for justice through genre-heavy allegory, drawing on J-horror and found-footage elements as well as from Candyman. Worth your 90 minutes.

Colors (1988, dir. Dennis Hopper)

A veteran and a rookie struggle to work together while patrolling LA’s gang neighbourhoods. Still-influential drama that tries for nuance while establishing the look and tone of two generations of movies. Worth revisiting, not least for its direction, cinematography, and its Herbie Hancock score.