A detective is assigned a new partner in the aftermath of a Jigsaw copycat beginning to target dirty cops. Okay series reinvention: the procedural approach is a neat shift, and Rock is having fun, but the predictable villain and unlikable victims mean that we tend to side with the antagonist, if we invest at all.
A veteran cop and an ambitious detective collaborate to catch a serial killer. Well-made and acted if slightly over-familiar neo-noir with procedural aspects. Its deliberate pace and quiet style may not be for everyone, but Denzel Washington is as good as ever and LA is made to feel unfamiliar: no easy feat.
A Fed and a cop become obsessed over a mass murderer who reappears each Halloween. The movie starts well, though gets bogged down by Act 3 because it can’t finesse its tricky reveal while still staging multiple splattery deaths and referencing all the horror films it can think of. Over-edited, flawed, but not uninteresting.
A bereaved patrol officer investigates the cover-up of a child’s death, and the police killings that ensue. Flawed but fascinating horror/procedural that explores cop-on-black murder and the need for justice through genre-heavy allegory, drawing on J-horror and found-footage elements as well as from Candyman. Worth your 90 minutes.
A veteran and a rookie struggle to work together while patrolling LA’s gang neighbourhoods. Still-influential drama that tries for nuance while establishing the look and tone of two generations of movies. Worth revisiting, not least for its direction, cinematography, and its Herbie Hancock score.