A group of orphaned girls find a possessed doll in their new home. Superior prequel to Annabelle; this jump-scare offshoot from The Conjuring has some flaws in its script, but delivers in both period setting, design and some neat boo moments.
Sidequel to 2012’s Snow White and the Huntsman, minus the first film’s lead. Oddball attempt to craft a continuation; good casting in depth helps a bit, but the story’s a secondhand grab-bag of old tales that have been better retold by others.
An origin story, tenuously linked to Chainsaw 3D. And not a very good one. Clumsy scripting, awkward directorial choices, continuity errors, and an inconsistent tone mar this prequel. Veterans Dorff and Taylor do what they can to add a little class.
A fake medium find her daughter channeling real spirits. Much-improved 60s-set prequel to the 2014 original Ouija, with some lovely period detail and a sense of attention to the genre. No real surprises or outright horror, but a decentjob well done.
Want another 255Review opinion? Here’s Xussia on the movie.
A prequel of sorts to JM Barrie’s Peter Pan. And not a very good one either. Some interesting production design, but that’s about it. A poor script, misjudged performances, and evidence of a post-production salvage attempt. A disappointment.
A deep space colony vessel investigates a strange transmission from an Earth-like world. More Prometheus than Alien, this series entry unevenly balances monster horror and teenagery philosophical musings. Odd, but not uninteresting.
Part 3 is a prequel, offering backstory on Elise, and her team-up with Specs and Tucker, plus another demonic yarn. Lots of jump scares, handled well enough if you like this sort of thing, with series screenwriter/actor Whannell now elevated to director.