In a post-apocalypse America, a female scavenger is trapped inside her upturned vehicle by a marauding creature. Single-location thriller – with sustained flashbacks – which almost deserves its running time except for a groan-worthy and well-telegraphed climax.
A couple search for a fabled post-apocalyptic human city, while a self-aware AI system tracks them and it. Secondhand SF with many borrowings: The Hunger Games, Nightbreed and later Terminator sequels principal among them. Poor.
A lone watchtower soldier begins to doubt his solitary 100-day mission. Low-budget but generally well-sustained single-location SF thriller, owing something to films like Moon and The Village.
An infamous criminal is sent into the island prison of Manhattan to rescue the US President. Defiantly odd post-apocalyptic piece, much happier with its production design and oddball characters than delivering on action/horror. Not quite the film you remember.
A teenager escapes an alien invasion. More developed sequel to Hungerford, this time riffing on 28 Days Later and Heart of Darkness as much as Heinlein’s The Puppetmasters. Still some rough edges, but an improvement over the first instalment.
Alice returns to Racoon City to face down Dr Isaacs, lured by the promise of a vaccine to the T-Virus. The sixth instalment of this midlist franchise is surprisingly feisty, with bags of action and some good lines. For fans only, maybe, but they won’t be disappointed.
Visitors to a zombie safari island resort face danger when park security is compromised. Perfunctory undead spin on Jurassic Park with no surprises, little in the way of fun, and only one decent jumpscare. Meh.