Woody has to protect Bonnie’s new favourite toy, a figure made from a spork and art supplies. Contrived but watchable fourth instalment. Looks great, has some interestingly dark moments, a fine chase, and is funny throughout, but is an unnecessary coda to the series rather than a required conclusion.
Woody, Buzz and the others are donated to a nursery when Andy leaves home for college. The franchise goes for a fascinating prison break twist in its story focus, while both pulling on heartstrings and getting good laughs. Recommended.
A boy desperate to become a musician finds himself trapped in the afterlife. Sprightly quest narrative drawing on Mexican folklore; superficial similarity to The Book of Life dampens its impact, though this is a decent Pixar effort in its own right.
Elastigirl works to redeem public perception of superheroes, while Mr Incredible wrestles with baby Jack-Jack’s burgeoning powers. Perhaps overlong and overly-similar to the first film, this is nevertheless expertly-designed and executed family entertainment.
The now-veteran racer Lightning McQueen has one last chance to prove he’s still competitive. Perhaps the best in the trilogy of Pixar’s least likeable franchise, this is a good-looking cartoon with a couple of laughs and a bit of heart.
Another POV? Here’s Lemonsquirtle’s review.
A beat-up robot falls in love with a sleek new model. Superior SF comedy/romance from Pixar; the last hour is knockabout fun with an environmental/healthy living message, but the first 30 minutes is a sublime silent (apart from music from Hello, Dolly! of all things) movie of its own.
Forgetful Dory goes on an epic journey when she remembers her parents. Gorgeous visuals and packed with gags, even if the short-term amnesia jokes are overloaded. A decent though unsurprising sequel with a scene-stealing octopus and Sigourney Weaver.