Mamma Mia! Here We Go Again (2018, dir. Ol Parker)

In 1979, a student has romantic adventures in the Med; this links with the present. Both sequel and prequel to Mamma Mia!, this ABBA-based jukebox musical is part-reprise, part deconstruction. More fun than the first, and as impermeable to criticism as its predecessor. You’ll either love it, or be baffled.

The Foreigner (2017, dir Martin Campbell)

A Chinese ex-soldier targets the former IRA boss he holds responsible for his daughter’s death. Enjoyable tho daft flick which struggles to reconcile its dated Troubles backstory with 21st century¬†geriaction revenge concerns. Solid direction, good performances, and some deft stuntwork make this more than watchable.

Die Another Day (2002, dir. Lee Tamahori)

Bond teams up with an NSA agent to uncover the truth about a conspiracy involving conflict diamonds and North Korea. Fourth, last, and least of the Brosnan Bond flicks. The central performance is good, but the script is a lazy series of puns and there’s an over-reliance on iffy CG throughout.