A struggling family inherits a remote farmhouse formerly belonging to a Ghostbuster. A film of bits, some of them entertaining and fresh. Essentially a straight sequel to the 1984 film, it starts well as an 80s-style Amblin kid-centric comedy-drama, then reprises the original, then trips over fanservice.
The estranged family of Egon Spengler return to his home town and uncover a ghostly plan to destroy the world. While fun, this is too reliant on spoon feeding nostalgia and ticking fan check boxes. A good cast keeps you interested, but the film struggles with pacing and coherence at times.
Michael’s niece has a child: the baby is at the centre of a cult’s attempts to harness the energies compelling Michael Myers. Some distance from the linear plotting of the first films, this conclusion to the arc begun in Part 4 is soapy, scrappy, scattershot: only for indulgent series and Paul Rudd completists.
The remaining Avengers plan an elaborate time heist to recover the infinity stones and undo the events of the recent war. Crowd-pleasing sequel/series endpoint that succeeds in narrative closure and fanservice terms. It’s TV by this stage, but impeccably done.
Lang, Hank Pym and Lana re-team, this time to find Pym’s wife, long thought lost in the quantum realm. Superior Marvel adventure, all the better for its modest scale, humour, and invention in blending 3D, action and the conceit of the size-changing tech.
A rich high school student determines to become a matchmaker. So specifically of its time it’s practically a documentary on the mid-90s, this loose reworking of Jane Austen’s Emma nevertheless delivers; a strong cast helps throughout.