An inadequate security guard becomes the focus of an FBI terrorism enquiry. A stately based-on-a-true-story drama which – despite some clunky telescoping of its story – delivers in character study terms, as well as acknowledging an unconventional hero. Not perfect, but recommended, and with a startling central performance from Paul Walter Hauser.
Thirty years later, Flynn’s son is scanned into the same computer universe his long-missing father found in the first film. Well-designed and with a super techno/disco soundtrack, this is a po-faced mess that can’t even sustain the daft people-as-programs conceit of its predecessor. Dull and overlong, though with OK support from a glam Michael Sheen.
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Awkward best friends decide to let go of their insecurities the night before their high school graduation. Splendid and funny reworking of well-trampled material; a coming-of-age / rite-of-passage / night-from-hell story done right, and both played and directed with a keen sense of the subgenres. Recommended.
An arrogant and jaded Las Vegas stage magician has to find himself again after being sacked. Inconsistent but intermittently fantastic comedy; its perfunctory redemption arc story is bolstered with some great gags and a dark undercurrent throughout. Alan Arkin, as ever, steals the movie.
Two neolithic losers stumble into Old Testament-era civilization. Patchy lowbrow comedy ticking off every genitals-related gag in the scrolls. Some funny moments; the always-welcome Oliver Platt steals the show as a lascivious high priest.
Attempts to create a serum to reanimate the dead go predictably awry. Flatliners meets Lucy in this by-the-numbers lab-bound horror/thriller in which a decent cast try their best to get through a rote script.