Prometheus (2012, dir. Ridley Scott)

A deep space mission to engage with humanity’s distant ancestors finds more than it bargained. Great-looking but ultimately dumb and pretentious Alien prequel, with a fine cast largely wasted on a grab-bag script of variable ideas. Alien: Covenant followed in 2017,

Bright (2017, dir. David Ayer)

A veteran LA cop partners with the first orc officer; they find themselves in the middle of an ancient magic war. While the procedural and mismatched partners stuff is great, Bright is saddled with too much backstory and a daft third act. Feels like a big-budget TV series pilot.

Dead Man Down (2013, dir. Niels Arden Oplev)

A man seeks revenge on the gangster who killed his family. Glum thriller that spends too much time on taking itself too seriously and with obvious mystery and romance subplots. Good technical credits, tho, and fun cameos (Armand Assante, F Murray Abraham).

Prometheus (2012, dir. Ridley Scott)

Archaeologists lead a space mission to the creators of life on Earth. Good-looking and packed with great images, this Alien prequel is nevertheless hugely flawed, not least with an abundance of intelligent beings doing really dumb things.

Unlocked (2017, dir. Michael Apted)

A CIA interrogator uncovers a terrorist conspiracy. Okay London-set thriller with a decent cast and some excellent location work; better at the nuts-and-bolts of tradecraft early in the flick than the last act move into big-stakes tomfoolery.