Mom and Dad (2017, dir. Brian Taylor)

An electronic virus drives parents to kill their children; one family home becomes a battleground. Brisk bad taste horror-comedy that gets in and out fast. Everyone is on fine form, and there’s the best use ever of a Erasure song in the movies.

Between Worlds (2018, dir. Maria Pulera)

A bereaved truck driver is haunted by his dead wife. Oddball flick with great central performances from Cage and Potente but with no real sense of what to do with its story or its neatly down-at-heel characters. A bit of a mess, but not without its moments.

Mandy (2018, dir. Panos Cosmatos)

A rural couple is kidnapped by cultists, triggering a revenge spree. Dazzling and trippy horror/road movie hybrid, set in a stylised 1983. A movie with its own rules that fully rewards going with it and its excesses, in both narrative and visuals. Recommended.

National Treasure (2004, dir. Jon Turteltaub)

A treasure seeker is in a race against time to find a fabled hoard. Daft but hugely enjoyable chase and puzzle-based comedy-thriller, riffing off Dan Brown, Indiana Jones, and Mission: Impossible equally. Lots of fun if you’re in the mood.

Army of One (2016, dir. Larry Charles)

A handyman believes he’s on a mission from God to kill Osama Bin Laden. Shrill semi-improvised comedy based on a true story, with Nicolas Cage turning in an unrestrained performance. Inevitably, a couple of good moments, but there’s a lot of shouting to sit through.

Vengeance [AKA Vengeance: A Love Story] (2016, dir. Johnny Martin)

A driven cop seeks redemption by hunting four rapists. Low-key drama which can’t make up its mind about its being a character piece or a vigilante flick. Some great incidental moments (the lighting, the stunt-work), but this is ultimately a compromised and unfocused piece.