Mismatched former best friends become superheroes after a laboratory mishap. Perhaps the most perfunctorily-plotted movie in recent history. McCarthy reprises her brash/embarrassed working class schtick, and there’s a few decent song-based jokes. A strong cast helps: Jason Bateman’s enjoying himself.
A documentary filmmaker investigates whaling, to uncover a global network of criminal and climate-challenging practices liked to commercial fishing. Seaspiracy doesn’t really connect the dots (there isn’t a conspiracy – it’s just plain greed) or land all of its punches, but there’s some interesting material and footage presented, even if the subject matter doesn’t fit with the film’s structure.
A documentary covering a season’s dig at Saqqara outside Cairo, focusing on the tomb of Wahtye. Excellent, compassionate, and detailed overview of an archaeological dig, keen to emphasis the humanity of the participants and links between Egypt’s ancient past and its present. Recommended.
A combat veteran struggling with PTSD seeks to avenge a near-fatal assault on her sister. Lean, austere, minimalist thriller with interesting lead character notes and brisk action. An effective star vehicle that reemphasises the qualities of both its lead and its writer/director.
The wastrel son of a postmaster is given a challenging remote office to run as a final opportunity. Oddball but charming Santa Claus origin variant story, with some fine gags and great animation and design throughout. A welcome spin on the lets-save-Christmas storyline.
An archive documentary time-lining the 2018 murder of Shannan, Celeste, and Bella Watts by Shannan’s husband Christopher, and the subsequent police investigation. Grim and compelling, and well-assembled from news coverage, social media posts, police and court interview videos, and from text conversations.
Sherlock Holmes’ younger sister Enola investigates their mother’s disappearance. Handsomely-produced but wildly inconsistent Victorian teen detective romp. A strong cast and good production values help, but a weak and smug script scuppers the enterprise as a whole, despite fun moments.
Two years after the traumatic events of the first film, Judah finds himself still struggling to be believed. Zippy sequel that expands on, rather than rehashes, its predecessor (which it’d be useful to see immediately prior). More gore slapstick than horror flick, this is a fun and pleasantly inconsequential ride.
An ex-con mechanic runs to clear himself of a cop’s murder by corrupt colleagues. Superior French action thriller, played straight and with some verve in the fight scenes and automotive carnage. Doublecrosses and so on as you might expect between the well-orchestrated mayhem. Doesn’t overstay its welcome, either.
A newly-released former psychiatric patient comes to believe her childhood phantom is real. Straightforward autumnal horror with folk, invented mythos and viral sensation aspects. Some good ideas, not all of them given their due, though twists are piled on for their own sake in Act 3.