Venom: Let There Be Carnage (2021, dir. Andy Serkis)

Eddie Brock unwittingly infects a condemned killer with a symbiote. Shouty sequel which is at least brief, splashy, and has a committed central performance. Plus, it feels like a comic. Unfortunately, it’s also unfunny, nigh plotless, and wastes some considerable onscreen (mostly Brit) talent.

Here’s the trailer.

No Time to Die (2021, dir. Cary Joji Fukunaga)

A retired Bond combats the threat of a stolen bioweapon. Last of the Craig-era pics, this is the Avengers: Endgame of Bond flicks, rounding out a loose five-film arc. Less successful as a stand-alone movie, but it tries something different, Craig and a guesting Ana de Armas are both great, and there’s neat moments aplenty among the bombast and soapy stuff.

Here’s the trailer.

Black and Blue (2019, dir. Deon Taylor)

A rookie New Orleans cop – an Army veteran – witnesses crooked cops committing murder; she has to run. A straightforward but effective action thriller that touches on race, gender, class and deprivation as issues, but still tells its story. Solid genre entertainment for grown-ups.

Street Kings (2008, dir. David Ayer)

An alcoholic LA detective with a reputation for violence comes under scrutiny from internal affairs. Generally solid double-cross-tastic bad cop-worse cop rough-and tumble that teeters on the brink of melodrama, but just about holds it together.

Rampage (2018, dir. Brad Peyton)

A zoologist and a renegade scientist team up to stop genetically-enhanced animals rampaging. Perfunctory and slightly po-faced monster mayhem, with only Jeffrey Dean Morgan’s man in black entering properly into the tongue-in-cheek fray.

Skyfall (2012, dir. Sam Mendes)

Bond battles a former MI:6 agent intent on revenge on M. Superior series entry with lots to recommend it, not least a back-to-basics siege third act. A couple of wobbly moments (beware the oddly-empty tube car), but apart from those, this is superior genre entertainment.

Spectre (2015, dir. Sam Mendes)

A political attempt to neuter M16 is found to be the work of an enemy organisation. The first two acts work well, but the last hour falls apart through trying to stitch the Craig-era Bond films into a single narrative with an awkwardly-revealed Blofeld at its centre.

Ninja Assassin (2009, dir. James McTeigue)

An international police agency investigation uncovers the existence of a secret society of ninjas. Clumsy backstory and some awkward plotting aside, this is enjoyable and well-directed action fluff, with gonzo fight scenes galore and much spectacular CG-augmented gore.