A woodcutter’s son journeys to find hope to save his father and his kingdom. Very straightforward festive origin fantasy shamelessly lifted structure-wise from The Princess Bride. A decent cast helps no end: the flick relies on professional support for its scant charm.
A Tokyo-based assassin has 24 hours to get revenge on the yakuza chief who fatally poisoned her. The 1940s noir D.O.A., basically, as a stylised action movie. Okay as far as it goes, though the rote script and a fetishized approach to Japanese pop culture detracts from Mary Elizabeth Winstead badassery and intermittently-terrific action choreography.